It`s a visual composition of images combine with a massage chair. While there is no plot in the traditional sense, there is a definite scenario. The film opens with the end of Koyaanisqatsi from 1982. Which is then used as base material throughout the movie. The film uses extensive time lapse photography (which speeds images up) and slow motion photography to make comparisons between different types of physical motion and that makes us see the similarities of movement between these natural forces. The film is broken down as time passes, further and further into the movie you get the more abstract and fragile the image becomes, you are now in the mechanical breakdown and you will follow it to the end.
